Sinopsis:
Since the beginning of time, man has always sought shelter to survive, and over time that place ended becoming his home. Home is not the four walls but what is lived in, what was experienced, or what will be experienced. Carlo Mô in this adventure only takes a doormat to search for his home, home past, present, or future. Mô looks for his place in time but the important thing is not the place if not the time that lives in it, hours, minutes, seconds.
But... Why does a minute last exactly 60 seconds and not 70? And a day lasts 24 hours, not 20? And the week lasts 7 days, not 10?
Mô continues to use in this work his particular way of understanding clowning based on gesture, poetics, absurdity, innocence, and madness to share with us a journey about the passage of time, home, family, company, and loneliness that form our past, present, and future.
Sinopsis:
YOU: You.
GUR: Primary instinct of pleasure and survival, which causes an obsession with carrying things on your back.
Carlo Mô appears with a wall on his back...and without an objective.. But everything changes when he wants to carry everything, what he finds in his path, with the weird and only uselessness of storing all because... if less is more...how much more it will be?
A physical comedy show to perform on the street, with the personal view and style of Carlo Mô.
Mô travels from the primary to the poetic language, always supported by the simplest things and his survival instinct.
Synopsis:
One clown.
Two crutches.
Zero legs.
A tragicomic journey towards the discovery of physical and emotional disability.
When the light comes on after Mahler's music, Carlo Mô appears on the stage suspended in equilibrium on legless armpit crutches, the image is of a human M.
From this image begins a journey of discovery of his new physical state and search for remedies for any type of physical or emotional disability, turning the solutions into small creations.
An astronaut from the past?
A terrestrial alien?
A terrestrial lunatic?
A Don Quixote with a rocket?
Whatever it is, Carlo Mô undertakes in this adventure a trip like someone inconcrete, what it was, it is believed that it was or that he will be an astronaut... or something similar.
Whether it is or not and whether it has a ship or not, it will not be the impediment to undertaking that journey without knowing where, why, or for what, because the important thing is to try to go... wherever!
Street show, for almost everyone public, based on the clown,
gestural humor and physical comedy interactive, where the costumes and the scenic symbolism transports us to the particular way of understanding the clown by Carlo Mô, transforming any place where you want to arrive.
Sinopsis:
A man leaves on a trip.
That man is Carlo Mô.
Along the way he will meet some objects, some real, some imaginary, that are part of his emotional journey through life.
From the distance and maturity of the more than fifteen years that Carlo Mô has been on stage, he will relive these and new moments that will make him play and improvise on the spot and without words.
Quite a journey uploaded to his particular way of understanding gestural humor.
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